If you’d like to hear about the artwork,
please find the audioguide here.

Nuovo Abitare is a mixed reality experience that reflects on the complexities of migration and the idea of “new dwelling”—both on Earth and in outer space. As humans move across territories, whether driven by necessity or exploration, the act of settlement becomes a profound moment of transformation. Migration is never neutral. It carries with it cultural values, mindsets, physical needs—and yet, it also requires adaptation, openness, and change. In the process, a form of cross-contamination occurs: newcomers leave traces, reshape environments, and in turn are reshaped by unfamiliar conditions. This reciprocal influence—social, biological, and psychological—is inevitable in every form of dwelling.

Within the VR experience, visitors see the physical exhibition space and their own hands, grounding them in the here and now. Slowly, mycelial structures begin to grow across the environment—symbolizing one of nature’s oldest and most intricate systems of distributed intelligence. Mycelium, the underground network of fungi that interconnects trees and ecosystems, becomes a metaphor for interdependence, adaptation, and symbiosis. As the visitor becomes part of this living network, golden geometric forms start to emerge on the gallery walls—referencing the neighboring artwork Sapiens’ Space Shelter Home. These architectural shapes hint at the mental and cultural frameworks humans bring with them into new territories. In the VR experience, the visitors themselves become part of this “contamination” as the mycelium and golden shapes start to grow and emerge around them.

The contamination that takes place is never neutral, it can have positive and negative effects on both the traveler and the new spaces that they arrive at. Space travelers, just as over thousands of years humans wandering across Earth, bring germs, food, experience, ideas, knowledge, tools, materials, or even start to fundamentally change their surroundings by terraforming, or even take over other peoples or new countries. On the other hand, contamination can take the space of symbiosis, knowledge exchange and mutual support. This experience asks us to take responsibility for what and who we are and our potential to bring change.

In this hybrid, augmented space, the visitor becomes a traveler—witnessing the entanglement between body, environment, and digital layer. The experience imagines how knowledge, identity, and environment co-evolve. “New dwelling” becomes more than shelter; it is a space of negotiation, where transformation, resilience, and contamination—both creative and destructive—are part of the process of becoming rooted in the unknown.

Janine Thüngen Reichenbach lives and works between Rome and Venice. She was born in Germany and has been working as a professional sculptor for 20 years, enjoying international success. She is inspired by the contrasts and juxtapositions found in humans, nature and space; her materials range from bronze, clay, rubber and glass to sound and plants.

Ultravioletto explores the intersection of analogue and digital realms to examine the relationship between humans and technology, crossing the fluid boundary that links the physical and digital worlds as a creative force. Driven by a spirit of experimentation, Ultravioletto creates unique, multidimensional experiences through interactive installations, immersive environments, and artistic performances that take audiences on imaginative and sensory journeys. 

Their groundbreaking work has been showcased at prestigious festivals and events worldwide, including Art Basel in Miami, Fête des Lumières in Lyon, Glow Festival in Shenzhen, and the Microwave Festival in Hong Kong. Their artistic performances have also captivated audiences at RomaEuropa Festival and Videocittà in Rome. These national and international exhibitions highlight the global impact of Ultravioletto’s innovative practice, continually reshaping the landscape of interactive art and technology and generating new forms of perception and interaction.

Born in 1995, Daniele Giuffrida is a visual artist and programmer who seamlessly blends these two realms into his creative practice. His work moves fluidly across disciplines, crafting audiovisual performances and installations with the Electro Organic Orchestra, where organic impulses meet electronic soundscapes. Daniele Giuffrida’s passion for creative coding takes form in workshops and performances; code becomes a medium for musical expression. As a versatile VJ, he collaborates with artists from diverse genres, transforming sound into dynamic, immersive visual experiences.

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Nuovo Abitare
/ New Dwelling,
2025

Janine Thüngen-Reichenbach
Ultravioletto
Creative coding: Daniele Giuffrida

Universal
Founders

© Claudia Kessler
    engineer and founder

© Claudia Schnugg
    curator

© Svenja Reichenbach
    consultant